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Sensuous Learning for Practical Judgment in Professional Practice - Volume 1: Arts-based Methods

of: Elena P. Antonacopoulou, Steven S. Taylor

Palgrave Macmillan, 2018

ISBN: 9783319988634 , 295 Pages

Format: PDF, Read online

Copy protection: DRM

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Price: 96,29 EUR



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Sensuous Learning for Practical Judgment in Professional Practice - Volume 1: Arts-based Methods


 

Contents

7

Notes on Contributors

9

List of Figures

17

List of Tables

19

Sensuous Learning Through Arts-Based Methods: An Introduction

20

References

30

Sensuous Learning: What It Is and Why It Matters in Addressing the Ineptitude in Professional Practice

32

Introduction

32

Ineptitude in Professional Practice: Professionalism Revisited

33

Practising Phronesis: A Critical Mode of Knowing and Sensemaking in Professional Practice

34

Cultivating Character

37

The Voice of Conscience

40

Reflexivity: Reconnecting Ways of Seeing, Being, and Becoming

42

Sensuous Learning: CQ and the GNOSIS 4R Framework

48

Professionals; Are You Realising Y-OUR Impact?

55

References

57

Using Music to Activate and Develop Leader Character

63

Introduction

63

Conceptual Framing

64

Leader Character and Sustained Excellence

64

Music Stimulates

68

Music and Character

72

ABM Through Music

73

Learning Arising from the Use of Music as an ABM

75

Discussion and Conclusions

83

Reflections

84

References

85

Using Choir Conducting to Improve Leadership Practice

88

Conceptual Framing

91

Analogically Mediated Inquiry

93

Embodied Performance

94

Data Collection and a Description of Choir Conducting Workshops

95

Process of Learning

97

Analogically Mediated Inquiry

98

Embodied Performance

103

Evidence of Impacts

106

Lessons Learnt

109

References

110

Using Choral Singing to Improve Employee Well-Being and Social Cohesion in the Norwegian Public Sector

114

Introduction

114

Conceptual Framing: Learning, Emotions and Choral Singing as an Arts-Based Method

116

Context and Content

120

The Process of Learning

122

Impacts

126

Lessons Learned

127

References

129

Using Body Sounds as a Coaching Tool to Promote Individual Growth in Brazil

133

Introduction

133

Arts-Based Methods, Coaching, and Leadership

134

Coaching and Leadership

134

ABM in Context—Body Sound Theory

136

The Case of Andrew—Using Body Sound Theory in Coaching

138

Andrew and the First Meeting

139

The “Contract”—First Meeting

140

Andrew—Second Meeting

141

Andrew—The Third Meeting

143

Andrew—The Fourth Meeting

145

Andrew—The Fifth Meeting

146

ABM Process of Fostering Learning—Using Body Sounds to Elicit Change

147

The Difference This ABM Made—Relationship Building Between Coach/Coachee

149

Reflections—Our Own Learning

150

Conclusion

152

References

152

Using Arts-Based Inquiry as a Way to Communicate Creatively in Uncovering the Future

155

Introduction

155

Conceptual Framing

157

The Power of Symbolising and Play

157

Sensuous Learning, Vulnerability and the Arts

159

Different Approaches to Inquiry

161

Arts-Based Inquiry

162

Content and Context

163

Developing Arts-Based Inquiry

163

The Course Creative Communication

165

The Different Steps in an Arts-Based Inquiry

166

Establishing Working Pairs and Outlining the Theme

166

Choosing a Symbol and Getting Started

167

Embodying and Speaking from the Symbol

167

Sharing and Reflecting on the Process

169

Process of Learning

169

Using Arts-Based Inquiry as an Integral Part of the Teaching

170

Evidence of Impacts

171

Case 1: Discovering Embodied Feelings and Senses

172

Images Providing Learners with New Perspectives

174

Scores After the Course Creative Communication

177

Reflections and Lessons Learned

178

References

180

Using Epic Poems and Creative Drama to Develop Realistic Optimism Among Undergraduate Students in Greece

183

Epic Poems and Creative Drama as Learning Spaces for Developing Realistic Optimism

185

Epic Poetry

186

Time

187

Totality and Multiplicity

188

Creative Drama

189

The Context

190

Designing the Content

191

Objectives

191

Pre-Training Educational Methods

193

Creative Drama Session

194

The Process of Learning

196

Setting the Stage for the Drama to Take Place: Lessons from Odyssey

196

The Play Session

199

Exploring the Play and Linking It to Real Life

201

Some Evidence: The Impact of Odyssey and Creative Drama on Realistic Optimism

202

Lessons Learned

205

References

207

Using “The Staged Cocktail Party” to Improve Leaders’ Social Interaction in the Norwegian Military

210

Introduction

210

Conceptual Framing

212

Theatre

213

Drama

214

Play

214

Playing for Mentalisation

215

Context and Content

216

The Staged Cocktail Party

217

Process of Learning

218

Step 1: Warming Up—Getting the Role

218

Step 2: The Activity—Playing the Role

219

Step 3: Reflection—Stepping Out of the Role

220

The First Level of Reflection

220

The Second Level of Reflection

221

The Third Level of Reflection

222

Impacts

223

Human Interaction

223

Emotional Reactions

224

Leaders’ Mentalisation

226

Lessons Learned

227

Closing Comments

230

References

231

Learning from Arts: Using Abstract Painting to Discover New Understandings and Approaches That Are Relevant for Both Personal Development and Consulting Practice

235

Introduction

235

Learning from Within

236

Initiating and Developing Artistic Inquiry

238

From Visual Journaling to Painting

238

Reimagining Dancer and Shadow

240

Integration of Art and Inquiry

246

Learning Through Art: A Process of Being and Becoming

247

Emergence of a Painter

248

An Arts-Based Approach to Reflexive Learning

249

Artistic Dwelling

250

Growth-in-Connection: Creative Confrontation

252

The Impact of an Arts-Based Inquiry on My Professional Practice

253

Lessons Learned

255

References

257

Using Arts-Based Methods to Explore Learning in an Individual with Systemizing Bias

259

Introduction

259

Discovering a Method for Systemizers

260

The Challenge of First-Person Inquiry

262

The Value of Examining Other People’s Art Work

265

The Challenge of Making Art Myself

268

The Challenge of Using Art with Others

275

Summary and Conclusions

278

References

279

Conclusion—Arts-Based Methods for Sensuous Learning: Questions and Quality

281

Sensuousness as a Choice for Engagement

282

Facilitator Skill

284

Energy

286

Divergence of Outcomes

288

Quality

290

References

292

Index

294