Vibratory Modernism

Vibratory Modernism is a collection of original essays that show how vibrations provide a means of bridging science and art - two fields that became increasingly separate in the nineteenth and early twentieth centuries.

Simon Bayly, University of Roehampton, UK Robert Michael Brain, University of British Columbia, Canada Adrian Curtin, University of Exeter, UK Anthony Enns, Dalhousie University, Canada John G. Hatch, University of Western Ontario, Canada Mike Vanden Heuvel, University of Wisconsin-Madison, USA Andrew Logemann, Gordon College, USA Julie Beth Napolin, Eugene Lang College, USA Arndt Niebisch, University of Vienna, Austria Nicholas Ridout, Queen Mary University of London, UK Justin Sausman, Birkbeck and the University of Westminster, UK Shelley Trower, University of Roehampton, UK Matthew Wraith, Imperial College, London, UK